Archived Reviews
June 2019
一封致現正/有志從事藝術、受藝啟發的香港人以及與香港同行者的公開信 | An Open Letter to Artists, Aspiring Artists, and the Art-Inspired in and with Hong Kong
楊陽 (Yang YEUNG)
問題出於人權 | Human rights is the issue
約翰百德 (John BATTEN)
從開幕盛況到藝術至上：舉世矚目的威尼斯雙年展 | Art Takes Centrestage After Venice Biennale Opening
約翰百德 (John BATTEN)
Samson Young’s Instrumentation – a review
楊陽 (Yang YEUNG)
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Current Reviews
重新審視失敗 |劉君宇 (Virginia LIU)
Non-Contemporary Dance in Contemporary Art: Three Inspiring Video Installations |李伊寧 (Erin LI Yining)
直言與隱喻：從畢業展學懂的事 |胡敏儀 (Wendy WO)
展於網 vs網上展 —— 談給火星人類學家展覽 | To Martian Anthropologist: Exhibition Online vs Online Exhibition |吉暝水 (Grace GUT)
策展人靈活變陣與公眾面對疫情衝擊 |梁詠珊 (LEUNG Wing Shan)
談線上後人類敘事－賽伯格、邊界、處境展覽 |海寧 (Hoi Ling)
A Kaleidoscope of Ambiguity – The Paintings of Tse Yim On |Jeff Chin Fung LEUNG
藝術家簡介：簡喬倩 | Artist Profile: Tobe Kan Kiu Sin |John BATTEN
「藝評小辣椒」查映嵐，數位原生族的藝評世界 |Anthony Po Shan LEUNG
Tristesse et consternation à Hong Kong (in French) |Gerard HENRY
疫情決策中的政治 | Politics amidst Covid-19 decision-making |John BATTEN
重新審視失敗 |劉君宇 (Virginia LIU)
Non-Contemporary Dance in Contemporary Art: Three Inspiring Video Installations |李伊寧 (Erin LI Yining)
直言與隱喻：從畢業展學懂的事 |胡敏儀 (Wendy WO)
展於網 vs網上展 —— 談給火星人類學家展覽 | To Martian Anthropologist: Exhibition Online vs Online Exhibition |吉暝水 (Grace GUT)
策展人靈活變陣與公眾面對疫情衝擊 |梁詠珊 (LEUNG Wing Shan)
談線上後人類敘事－賽伯格、邊界、處境展覽 |海寧 (Hoi Ling)
A Kaleidoscope of Ambiguity – The Paintings of Tse Yim On |Jeff Chin Fung LEUNG
藝術家簡介：簡喬倩 | Artist Profile: Tobe Kan Kiu Sin |John BATTEN
「藝評小辣椒」查映嵐，數位原生族的藝評世界 |Anthony Po Shan LEUNG
Tristesse et consternation à Hong Kong (in French) |Gerard HENRY
疫情決策中的政治 | Politics amidst Covid-19 decision-making |John BATTEN
Disclaimer: The views and opinions expressed in this column are solely those of the author. These views and opinions do not necessarily represent those of AICAHK.
