Skip to Content

Yang YEUNG


Reviews & Articles


Chan Dick: Chai Wan Fire Station
Yang YEUNG

A Beast, A God and A Line
Yang YEUNG

Chloë Cheuk
Yang YEUNG

Chris Evans and Pak Sheung-chuen: Two exhibitions – a review
Yang YEUNG

Samson Young: SONGS FOR DISASTER RELIEF
Yang YEUNG

Composing Stories with Fragments of Time: Works by Kurt Chan, Annie Wan, Francis Yu, Luke Ching, Angela Su, Lau Chi Chung, Carmen Ng, and Elva Lai
Yang YEUNG

Samuel Adam Swope: Updraft, updraft
Yang YEUNG

In and Out of the Streets: Man Mei-to and Enoch Cheng
Yang YEUNG

weighing sound in space: Wong Chun-hoi and Alex Yiu
Yang YEUNG

art and what is missing in the socially-engaged
Yang YEUNG

we may never know, but it is worth trying
Yang YEUNG

Biennale, the Biennale
Yang YEUNG

Wong Chun Hoi
Yang YEUNG

What Unimaginable Forms
Yang YEUNG

Law Yuk-mui
Yang YEUNG

Yip Kai-chun
Yang YEUNG

Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
Yang YEUNG

Back to basics: trying for the ‘international’ as good (1) / 還原基本步:如果「國際化」是一種「善」
Yang YEUNG

Edwin Lo: Sea Wall
Yang YEUNG

Alfred Ko’s ‘Pond on the roof’
Yang YEUNG

Fiona Lee in a sound she tries to understand
Yang YEUNG

Tsang Tsz Yeung’s 'Family Album'
Yang YEUNG

Two animations from two graduation shows: Jess Lau Ching Wa’s 'The Fading Piece' and Wayne Wong Wing Chun’s 'Koon Tong Chronicle'
Yang YEUNG

Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
Yang YEUNG

Sunday Lai’s 1Mbps
Yang YEUNG

"how close we have come to being rich"*
Yang YEUNG

Mak Ying-tung’s ‘Almost Empty’
Yang YEUNG

in time, a conversation
Yang YEUNG

The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
Yang YEUNG

My Response to Asia Art Archive’s "THE AND: An Expanded Questionnaire on The Contemporary"
Yang YEUNG

Culture is…
Yang YEUNG

Nothing but a few longer looks
Yang YEUNG

When Much More Than Three Books Meet – Serendipity, Possibility
Yang YEUNG

To curate is to take care of
Yang YEUNG

Philippe Ramette
Yang YEUNG

pulse – a review of Hong Kong Anarchitecture Bananas
Yang YEUNG

Art Issues


Samson Young: SONGS FOR DISASTER RELIEF
Yang YEUNG

Biennale, the Biennale
Yang YEUNG

Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
Yang YEUNG

Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
Yang YEUNG

The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
Yang YEUNG

New/Alternative Art Space


Chloë Cheuk
Yang YEUNG

Samuel Adam Swope: Updraft, updraft
Yang YEUNG

In and Out of the Streets: Man Mei-to and Enoch Cheng
Yang YEUNG

Alfred Ko’s ‘Pond on the roof’
Yang YEUNG

TOP