Yang YEUNG
Reviews & Articles
Playing along—a letter to Francis Alÿs
Yang YEUNG
How does freedom sound? – reflections on how artists listen in the pro-democracy movement in Hong Kong
Yang YEUNG
Care and political dissent – the story of Hong Kong-based artists Stephanie Sin and Suifong Yim
Yang YEUNG
perceiving hope in otodate and no so mi – a review of the installations and a performance by Akio Suzuki and Hiromi Miyakita at The Museum of Contemporary Art Tokyo
Yang YEUNG
Carla Chan’s Black and White
Yang YEUNG
Listening as a supporting condition for art – a personal essay re-calling Stavanger from Hong Kong
Yang YEUNG
Kwok-hin Tang: From an Object-based to a Socially Aspired Art Practice
Yang YEUNG
perceiving magnificence
Yang YEUNG
South Ho''s Force Majeure and Ching Chin Wai''s Liquefied Sunshine — A Review
Yang YEUNG
Notes and Extensions on Artist Talk with Xiao Lu at Chancery Lane Gallery, 14 September 2019
Yang YEUNG
Samson Young’s Instrumentation – a review
Yang YEUNG
Su-Mei Tse: Nested – a review
Yang YEUNG
Emergency Kit & Wishing Pool – a review
Yang YEUNG
Review on Moving Average: Media Art Exhibition by Kenny Wong
Yang YEUNG
Our Everyday – Our Borders: a review
Yang YEUNG
more than just a reversal
Yang YEUNG
Chan Dick: Chai Wan Fire Station
Yang YEUNG
A Beast, A God and A Line
Yang YEUNG
Chris Evans and Pak Sheung-chuen: Two exhibitions – a review
Yang YEUNG
Samson Young: SONGS FOR DISASTER RELIEF
Yang YEUNG
Composing Stories with Fragments of Time: Works by Kurt Chan, Annie Wan, Francis Yu, Luke Ching, Angela Su, Lau Chi Chung, Carmen Ng, and Elva Lai
Yang YEUNG
Samuel Adam Swope: Updraft, updraft
Yang YEUNG
In and Out of the Streets: Man Mei-to and Enoch Cheng
Yang YEUNG
weighing sound in space: Wong Chun-hoi and Alex Yiu
Yang YEUNG
art and what is missing in the socially-engaged
Yang YEUNG
we may never know, but it is worth trying
Yang YEUNG
Biennale, the Biennale
Yang YEUNG
What Unimaginable Forms
Yang YEUNG
Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
Yang YEUNG
Back to basics: trying for the ‘international’ as good (1) / 還原基本步：如果「國際化」是一種「善」
Yang YEUNG
Alfred Ko’s ‘Pond on the roof’
Yang YEUNG
Fiona Lee in a sound she tries to understand
Yang YEUNG
Tsang Tsz Yeung’s 'Family Album'
Yang YEUNG
Two animations from two graduation shows: Jess Lau Ching Wa’s 'The Fading Piece' and Wayne Wong Wing Chun’s 'Koon Tong Chronicle'
Yang YEUNG
Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
Yang YEUNG
"how close we have come to being rich"*
Yang YEUNG
Mak Ying-tung’s ‘Almost Empty’
Yang YEUNG
in time, a conversation
Yang YEUNG
The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
Yang YEUNG
My Response to Asia Art Archive’s "THE AND: An Expanded Questionnaire on The Contemporary"
Yang YEUNG
Nothing but a few longer looks
Yang YEUNG
When Much More Than Three Books Meet – Serendipity, Possibility
Yang YEUNG
To curate is to take care of
Yang YEUNG
pulse – a review of Hong Kong Anarchitecture Bananas
Yang YEUNG
Art Issues
How does freedom sound? – reflections on how artists listen in the pro-democracy movement in Hong Kong
Yang YEUNG
Care and political dissent – the story of Hong Kong-based artists Stephanie Sin and Suifong Yim
Yang YEUNG
Samson Young: SONGS FOR DISASTER RELIEF
Yang YEUNG
Biennale, the Biennale
Yang YEUNG
Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
Yang YEUNG
Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
Yang YEUNG
The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
Yang YEUNG
New/Alternative Art Space
Playing along—a letter to Francis Alÿs
Yang YEUNG
Our Everyday – Our Borders: a review
Yang YEUNG
Samuel Adam Swope: Updraft, updraft
Yang YEUNG
In and Out of the Streets: Man Mei-to and Enoch Cheng
Yang YEUNG