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Yang YEUNG


Reviews & Articles


Playing along—a letter to Francis Alÿs
Yang YEUNG

How does freedom sound? – reflections on how artists listen in the pro-democracy movement in Hong Kong
Yang YEUNG

Care and political dissent – the story of Hong Kong-based artists Stephanie Sin and Suifong Yim
Yang YEUNG

A little clairvoyance in the pandemic, just in case
Yang YEUNG

perceiving hope in otodate and no so mi – a review of the installations and a performance by Akio Suzuki and Hiromi Miyakita at The Museum of Contemporary Art Tokyo
Yang YEUNG

Carla Chan’s Black and White
Yang YEUNG

Listening as a supporting condition for art – a personal essay re-calling Stavanger from Hong Kong
Yang YEUNG

Kwok-hin Tang: From an Object-based to a Socially Aspired Art Practice
Yang YEUNG

perceiving magnificence
Yang YEUNG

South Ho''s Force Majeure and Ching Chin Wai''s Liquefied Sunshine — A Review
Yang YEUNG

Notes and Extensions on Artist Talk with Xiao Lu at Chancery Lane Gallery, 14 September 2019
Yang YEUNG

一封致現正/有志從事藝術、受藝啟發的香港人以及與香港同行者的公開信 | An Open Letter to Artists, Aspiring Artists, and the Art-Inspired in and with Hong Kong
Yang YEUNG

Samson Young’s Instrumentation – a review
Yang YEUNG

Su-Mei Tse: Nested – a review
Yang YEUNG

Emergency Kit & Wishing Pool – a review
Yang YEUNG

Review on Moving Average: Media Art Exhibition by Kenny Wong
Yang YEUNG

Our Everyday – Our Borders: a review
Yang YEUNG

more than just a reversal
Yang YEUNG

Chan Dick: Chai Wan Fire Station
Yang YEUNG

A Beast, A God and A Line
Yang YEUNG

Chloë Cheuk
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Chris Evans and Pak Sheung-chuen: Two exhibitions – a review
Yang YEUNG

Samson Young: SONGS FOR DISASTER RELIEF
Yang YEUNG

Composing Stories with Fragments of Time: Works by Kurt Chan, Annie Wan, Francis Yu, Luke Ching, Angela Su, Lau Chi Chung, Carmen Ng, and Elva Lai
Yang YEUNG

Samuel Adam Swope: Updraft, updraft
Yang YEUNG

In and Out of the Streets: Man Mei-to and Enoch Cheng
Yang YEUNG

weighing sound in space: Wong Chun-hoi and Alex Yiu
Yang YEUNG

art and what is missing in the socially-engaged
Yang YEUNG

we may never know, but it is worth trying
Yang YEUNG

Biennale, the Biennale
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Wong Chun Hoi
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What Unimaginable Forms
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Law Yuk-mui
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Yip Kai-chun
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Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
Yang YEUNG

Back to basics: trying for the ‘international’ as good (1) / 還原基本步:如果「國際化」是一種「善」
Yang YEUNG

Edwin Lo: Sea Wall
Yang YEUNG

Alfred Ko’s ‘Pond on the roof’
Yang YEUNG

Fiona Lee in a sound she tries to understand
Yang YEUNG

Tsang Tsz Yeung’s 'Family Album'
Yang YEUNG

Two animations from two graduation shows: Jess Lau Ching Wa’s 'The Fading Piece' and Wayne Wong Wing Chun’s 'Koon Tong Chronicle'
Yang YEUNG

Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
Yang YEUNG

Sunday Lai’s 1Mbps
Yang YEUNG

"how close we have come to being rich"*
Yang YEUNG

Mak Ying-tung’s ‘Almost Empty’
Yang YEUNG

in time, a conversation
Yang YEUNG

The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
Yang YEUNG

My Response to Asia Art Archive’s "THE AND: An Expanded Questionnaire on The Contemporary"
Yang YEUNG

Culture is…
Yang YEUNG

Nothing but a few longer looks
Yang YEUNG

When Much More Than Three Books Meet – Serendipity, Possibility
Yang YEUNG

To curate is to take care of
Yang YEUNG

Philippe Ramette
Yang YEUNG

pulse – a review of Hong Kong Anarchitecture Bananas
Yang YEUNG

Art Issues


How does freedom sound? – reflections on how artists listen in the pro-democracy movement in Hong Kong
Yang YEUNG

Care and political dissent – the story of Hong Kong-based artists Stephanie Sin and Suifong Yim
Yang YEUNG

一封致現正/有志從事藝術、受藝啟發的香港人以及與香港同行者的公開信 | An Open Letter to Artists, Aspiring Artists, and the Art-Inspired in and with Hong Kong
Yang YEUNG

Samson Young: SONGS FOR DISASTER RELIEF
Yang YEUNG

Biennale, the Biennale
Yang YEUNG

Retrospection for the future – Yang Hoi-mei, Szeto Chun-hei, and the Umbrella Movement
Yang YEUNG

Comments on the ‘Summary of the Evaluation Report on the Venice Art Biennale 2013’
Yang YEUNG

The truth matters – why questions need to be asked (about HKADC and M+’s collaboration in the 55th Venice Biennale in 2013) 真相攸關 — 為甚麼要就香港藝術發展局與西九文化區視覺文化博物館M+於2013年第55 屆威尼斯雙年展的合作提出問題?
Yang YEUNG

New/Alternative Art Space


Our Everyday – Our Borders: a review
Yang YEUNG

Chloë Cheuk
Yang YEUNG

Samuel Adam Swope: Updraft, updraft
Yang YEUNG

In and Out of the Streets: Man Mei-to and Enoch Cheng
Yang YEUNG

Alfred Ko’s ‘Pond on the roof’
Yang YEUNG

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