Art Issues- West Kowloon Cultural District / M+
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美好的早晨 | Good night and good mornings
at 3:17pm on 27th January 2019
香港中環的Le Vélo咖啡座 Le Vélo café, Central, Hong Kong
圖片Photo: 約翰百德 John Batten
(Please scroll down for English version)
如果你想深入認識某像野口一樣偉大藝術家的課題、題目，又或生平，只有一本載有詳細資料與分析的優質著作–– 配合親身欣賞其作品 –– 才可以實現。相對來說，過去幾星期的報章上，我一直只讀到剛過去一年的各種回顧文章，好像年度最佳書本、最好吃的菜色、最優秀的電影、最佳美酒、好與不好的旅遊驚喜、音樂亮點、政治概要、金融市場預測（永遠都是市場預測）、令人興奮的展覽（在藝術世界中，「我們深感興奮……！」是藝術家樂見的感嘆）。另一方面，成績平平的展覽鮮有人撰文記錄，落得被遺忘的下場。然而，報章的食評實在著墨太多，特別是那些定價過份昂貴，被人過度吹捧的餐廳。除了在開飯網站，你有多常看到平凡踏實食肆的評論？
我每天早上都喜歡享受一頓簡單的早餐，一面吃多士喝咖啡、一面讀報。我通常會到茶餐廳吃早餐，上環一帶約有八間可選。到了星期六，這個早上習慣的開始時間較晚，會變成像早午合餐一樣，有時候會到皇后街熟食市場吃些北京餃子，又或是一份三文治。如果要頒發實而不華咖啡座大獎，來表場供應全城最佳（及最物有所值）三文治，備有不同麵包選擇的店，我會頒給Le Vélo。它會讓你起可以在日本看到的本地咖啡店，樸實而不造作，店內供應各種報章雜誌讓客戶取閱。Le Vélo位於上環與中環之間人煙罕至的路段。如果你由上環港鐵店向中環方向走，經過永安和先施兩間百貨店的後門，再走過中旅社，你便來到恒生銀行外，那麼你便會錯過這家咖啡店了！這裡的三文治真的非常出色，很值得你走回頭路去把它發掘出來。
Good night and good mornings
by John Batten
I have just finished reading a biography about the American-Japanese sculptor Isamu Noguchi. I had forgotten that Noguchi was also an innovative designer of furniture and his own line of Akari geometric/sculptural paper lamps, designed following his first visit in 1951 to Gifu, the Japanese city long associated with the traditional manufacture of bamboo and paper lanterns. I made a similar visit to Gifu in 1990 to see these paper lighting designs, many of which emanated from Noguchi’s originals. Targeting an export market, Noguchi’s first modernist lamps used flexible wire framing instead of bamboo strips and were lit by electric light-bulbs instead of candles. Noguchi’s fascination with light supposedly began when as a small boy living in Japan, he would say that he couldn’t sleep until he saw the moon. His father, later estranged from the sculptor, devised a light and shadow arrangement depicting the moon and seen by a young Noguchi through the dividing shoji screens of the adjacent room.
Now on exhibition at the M+ Pavilion at the West Kowloon Cultural District is a selection of Noguchi’s sculpture and design items, alongside work by Danish-Vietnamese artist Danh Vo. My reading complete, I can now visit the M+ exhibition – details below!
If you really want to get your head around a topic, issue, or, say, the life of a great artist, such as Noguchi, only a quality book, with details and facts and analysis – alongside seeing the actual art - will give it to you. In contrast, for the past weeks in the ‘papers I have been reading reviews of the recently concluded past year. Best books read, best eaten dishes, best films seen, best wine, travel surprises good and bad, musical highlights, political summaries, financial market predictions (always market predictions), exhibitions that excited (in the art world, “we are excited…!”, is a favoured exclamation). On the other hand, exhibitions not so good are rarely written about and just forgotten. However, too much space is devoted to restaurant reviews, especially of over-priced, over-hyped restaurants. How often do you read a review of a normal, no-frills place (except on Open Rice’s website)?
One of my daily pleasures is having a simple breakfast of toast and coffee whilst reading a newspaper. I usually go to a local cha chan teng, of which there are about eight to choose from around Sheung Wan. However, my morning ritual on Saturdays starts a little later and is a sort-of brunch that invariably includes Beijing-style dumplings at the Queen Street Market or, sometimes, a sandwich. My award for best no-frills café that serves the best (and best-value) sandwiches, with a choice of different breads, in Hong Kong is Le Vélo. It is the sort of good no-frills local café you would find in Japan, including having a range of magazines and newspapers for customers to read. Le Vélo is located in that no-man’s land between Sheung Wan and Central on Connaught Road. So, if you walk towards Central after exiting the Sheung Wan MTR Station, past the rear of Wing On and Sincere Department Stores, and the China Travel office, and you arrive outside Hang Seng Bank, then you have missed it! It is worth doubling-back again, the sandwiches are good!
On topic, I have just started reading Anna Burns’ Booker Prize-winning Milkman. Set in the late-1970s, a tightly-written, stream-of-consciousness style novel set in Northern Ireland during “the troubles” as told by a sensitive, observant eighteen-year old, a young woman who is also an avid book reader. The novel relates rambling situations and conversations, some horrific and terrifying, and some of daily life. Such as after seeing a sunset she sits on a bus, observing, overhearing other commuters:
“It wasn’t just sunsets I didn’t understand. I didn’t understand stars or moons or breezes or dew or flowers or the weather or the avidity some people took – older people took – in what time they were going to bed at, and at what time the following day they were going to get up at, also what Celsius and Fahrenheit temperature it was outside, and what Celsius and Fahrenheit temperature it was inside, and the state of their bowels, their digestive tracts, their feet, their teeth, where one of them says loudly on the crowded bus, ‘Do you know what? I’ll have a nice slice of toast when I go home before my dinner,’ and where the companion replies equally loudly, I’ll have a nice slice of toast in my house as a start before dinner too.’ If not that, then it’s ‘Did you have a nice slice of toast in your house yesterday?’”
A nice slice of toast and coffee and reading. That’s a good morning!
Links for further info:
This article was originally published in Ming Pao Weekly, 5 January 2019. Translation from English to Chinese: Aulina Chan.